Gravity

2013

Sci-Fi / Thriller

1036
IMDb Rating 8.0

Synopsis


Uploaded By: OTTO
Downloaded 553,441 times
February 7, 2014 at 7:02 pm

Director

Cast

Sandra Bullock as Ryan Stone
George Clooney as Matt Kowalski
Ed Harris as Mission Control
Orto Ignatiussen as Aningaaq
720p 1080p 3D
704.86 MB
1280*536
English
PG-13
23.976 fps
1hr 31 min
P/S 95 / 808
1.25 GB
1920*800
English
PG-13
23.976 fps
1hr 31 min
P/S 184 / 1464
1.25 GB
1920*1080
English
PG-13
23.976 fps
1hr 31 min
P/S 19 / 192

Movie Reviews

Reviewed by BKTrayner 1 / 10

Lost in Space

The big "spoiler" is that this is a big budget Hollywood move with a preposterous plot and lots of special effects. The problem here is that nobody could possible survive through any of this, and the special effects become a substitute for any meaningful plot. Even taken on its own terms, the movie makes no sense. Sandra Bullock has become an astronaut but lacks even the basic skills for that occupation. She tells us she always crash landed the flight simulator, and we find her thumbing through an instruction manual about the size of the instructions for a DVD player to figure out how to safely pilot a space craft back to earth. She even picks the buttons eeny, meany, miney, mo style. Add to this the contrived scenario that she has not only lost a child but also is "revived" and given a reason to live by the now dead George Clooney appearing in a dream sequence. And how great a movie can it really be where there is only one character (and almost no dialog) on camera for most of the film. The special effects are impressive, but what they've obviously done is use computer graphics to create all the weightless effects. As such, things remain weightless even when they shouldn't be, and you eventually become more interested in looking for the screw-ups than watching the movie. Please, please, please. Will someone make a movie with a clever plot that keeps you guessing to the end and with interesting and passably believable characters.

Reviewed by tcara111 1 / 10

Gravity is Weightless

Did those who've written glowing reviews of Gravity see the same movie I did? Look, I wanted to like this flick, I really did. And I don't want to rag on it, but if you're going to make a dramatic science thriller, you had better get it right or expect to catch it from the smart people. Despite the cosmic setting, the only star I can give Gravity is for the computer generated graphics.That said, this is not a movie for intellectuals and those of a scientific bent will be sorely disappointed. What made Ron Howard's Apollo 13 so gripping was its dramatic realism and superb acting. Unfortunately, none of those adjectives applies to Gravity, with the possible exception of some drama. However, for thinkers, effective drama requires an intellectual investment in the credibility of the story, the characters and the interaction between them. Intelligent humans need to believe that what is being depicted could actually happen. Unfortunately, the events depicted in Gravity are likely to alienate anyone with an above average IQ. Once one has acknowledged the impressive graphics, any anticipation of emotional investment is quickly dashed to smithereens by the unbelievably vapid and inane dialog. It is painfully obvious that someone with a double-digit scientific IQ appears to have awoken one morning and haphazardly decided to write a "space movie". The physics are off, the events highly improbable. The entire story demands a suspension of belief in reality. Worst of all, the dialog and interaction between the characters is so juvenile that anyone with a brain gets the immediate impression that the project is the product of sophomoric show-biz types who think that the way to move the product is to recycle hackneyed cliches, shiny objects and big explosions. Bullock's character, Dr. Ryan Stone, is so unprepared and emotionally disabled by adversity that it is impossible to believe that she would have been selected as a mission specialist. Yet, she manages to flit from one space wreck to another and yet another. She consults operation manuals in Russian and, later, Chinese, yet she is heard muttering "eeny meeny miney mo" while haphazardly pushing control buttons like some clueless chimpanzee. The space vehicle's communication equipment fails to pick up "Houston Control", yet, miraculously, is able to receive a bizarre Chinese comedy and howling dogs, which Bullock's character feels compelled to imitate. Clooney's character, Matt Kowalski, is such a cliched hero that he is depicted as nonchalantly jesting with the hysterical Dr. Stone while he himself is drifting into a desperately life-ending situation. We are expected to believe that, despite having trained intimately together for this mission, these characters address each other by their formal titles and make cliched announcements back to a non-responsive mission control. Kowalksi has waited until he's drifting to his death to ask where Dr. Stone is from and if she has any kids. Finally, director Cuaron makes a supremely lame attempt at cinematic iconography depicting Bullock floating in a fetal position, a la Kubrick's Space Odessey. And after having had such a bad day and having plunged to Earth in a flaming meteor-like reentry, Stone emerges, unscathed and barefoot mind you, from the ocean onto an idyllic, uninhabited beach like some primal human emerging from the sea. Now, I feel bad about feeling bad about this movie. And I respect Ms. Bullock and Mr. Clooney as actors. However, it is my humble opinion that actors must assume some responsibility for the roles they accept. This movie was so cringe-worthy that the only reason I sat through it was to see how ridiculous it would get. Alas, other than the black hole into whose abyss was irretrievably sucked away any hope I once had for discovering intelligent life in this movie, "Gravity" lacked gravitas.

Reviewed by vikascoder 7 / 10

Great Visuals, Weak Script overall

Visually, Gravity is unlike what we have seen on a cinema screen before and arguably it has one of the best uses of 3D in a movie. The setting is spectacular and the premise is inventive.

On every other front,the movie falters badly. Once you get over the initial wonderment surrounding the beautiful visuals, the chinks start showing up. Overall the script is very weak. Apparently the Russians bomb their own satellite by mistake and the debris is flying around at bullet speed, smashing everything in its way. Now upon hearing an emergency evacuation request, Kowalski (who has been wasting his precious thrusters all this while, floating around, spouting inane dialogs) orders Ryan (Bullock) to disengage from whatever she is repairing. Apparently Ryan has six months of training (only) and fails to be responsive and then the trouble starts.

We come to know that Ryan has some head issues surrounding the death of her daughter as the writer felt a dire need to give Ryan some sort of existential problem in her head to make her character feel more human. Apart from this minor bit, nothing is presented in terms of character development for any other protagonists. Who is Kowalski? Who are the people who died in their space pods? No idea.

Then the whole manufactured sense of suspense. Every time Ryan gets anywhere near the Air Lock (she does it three times), the debris presents itself like on cue every single time. Then a fire in a space station, then running out of Oxygen, then something then something. It's fine that they used some standard tricks but it all seems so manufactured and mechanical by the numbers suspense.

Also at times I couldn't shrug off the feeling that what they are showing on screen is not actually factual. Do the controls on various international space stations have their national languages on them? Really? Maybe they do but seems hard to believe when 20$ phones are built with custom User interfaces with changeable languages, why have your billion dollar space stations with Russian or Chinese characters on your buttons totally beats me. Oh manufactured suspense owing to the whole can't-understand-this-thing machinery.

The the dialogs when they come are nothing to write home about. Ryan has a hallucinatory moment when she talks to herself following some Mandarin Chatter on the radio which is cringe worthy. I wont even mention the in-your-face allegory about rebirth which is there for to make the movie seem deeper than it is.

So what works for the movie? It's a cross between an IMAX documentary with some suspense elements thrown it which makes it look path breaking.

But it's not. Not a bad watch but nothing to rave about either.

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