Cloud Atlas

2012

Drama / Sci-Fi

838
Rotten Tomatoes Critics - Fresh 66%
Rotten Tomatoes Audience - Upright 66%
IMDb Rating 7.5

Synopsis


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Cast

Tom Hanks as Dr. Henry Goose/Hotel Manager/Isaac Sachs/Dermot Hoggins/Cavendish Look-a-Like Actor/Zachry
Halle Berry as Native Woman/Jocasta Ayrs/Luisa Rey/Indian Party Guest/Ovid/Meronym
Hugh Grant as Rev. Giles Horrox/Hotel Heavy/Lloyd Hooks/Denholme Cavendish/Seer Rhee/Kona Chief
Hugo Weaving as Haskell Moore/Tadeusz Kesselring/Bill Smoke/Nurse Noakes/Boardman Mephi/Old Georgie
720p 1080p
1.20 GB
1280*544
English
R
English
23.976 fps
2hr 52 min
P/S 10 / 74
2.30 GB
1920*816
English
R
English
23.976 fps
2hr 52 min
P/S 12 / 131

Movie Reviews

Reviewed by Christian Lotz 10 / 10

A genre-breaking classic

There can be little doubt that Cloud Atlas will become a classic that will be watched over and over again by its devoted followers, just like its predecessors by Stanley Kubrick and Ridley Scott. Despite the many questions I had in my mind when I left the theater and the moments during the film when I felt disappointed or confused, I knew this, and I have not stopped thinking about the movie and longing to be back in front of the screen.

It is easy to criticize this movie as some have done for being overly ambitious, pandering to low taste, being too simple or too complex, with too few actors or too many, or even for celebrating revenge violence against professional critics who write negative reviews. They may all be correct, but these critics will still put themselves in the same category as those that warned audiences against 2001 or Blade Runner. The truth is that Cloud Atlas is profound in its reach, its visual and acoustic impact, its mesmerizing flow and its completely ground-breaking storytelling, and movie goers will see it and feel it in their guts.

It is a movie that is a product of our age of internet-driven universal knowledge and vision, and the freedom we have to travel the world and jump between ages, genres, images and identities at our will. It reminds us that we are human and that we can still hear our heart beat, if we listen.

Reviewed by zapata_36 8 / 10

A Powerful Spectacle

I didn't find it to be a mess at all, and it was certainly the best thing the Wachowskis have ever done. I'm not sure how the directing duties were distributed, so I'll uniformly praise Tom Tykwer as well.

I haven't read the book, so I can't make any comparisons there, but I don't often leave a film adaptation wanting to read the novel afterwards, as I did after seeing this.

Visually stunning, epic in scope, a strong score; the sort of film that you're constantly amazed was ever made and happy it was. Equal parts comedy, romance, thriller, and dystopian speculative fiction, it really is an astounding mix of disparate elements.

The biggest overall failure was definitely some of the make-up effects - trying to turn Doona Bae into a believable red-headed Caucasian woman was simply distracting - but the overall art & sound design was incredible.

If I could turn channels while watching TV and switch between stories and narratives as seamlessly and as deftly as the editing in Cloud Atlas, it would honestly be hard to go back to simply watching one show at a time.

Truly a marvel of multitasking on so many levels. Great stuff.

Reviewed by TheHighVoltageMessiah 9 / 10

Quite an achievement

"Cloud Atlas" is nearly three hours in length, but I wasn't bored for a minute. The film alternates between six very different stories quite seamlessly, creating an exhilarating experience. It's part sci-fi, part historical drama, part love story, part comedy. Any number of things could have gone wrong with the film. All the different genres it brings together might have failed to coherently mesh. But they did, and it's something to see.

The film takes us on shipboard in the 1800s, where a young man forms an unlikely bond with a stowaway, a runaway slave. It tells the sensitive, melancholy story of a promising young composer in the 1930s – separated by prejudice and misfortune from his lover, a man named Sixsmith. It also brings us to 1973, where an intrepid reporter finds herself caught up in a web of murder and intrigue. In the present day, the film offers up the comedic tale of a publisher on the run from a gang of thugs. Plunging into the future, it shows a dystopian vision of Seoul, South Korea that is comparable to "Blade Runner" and a primitive post-apocalyptic Hawaii.

Linking these stories together are the simple thematic elements of love, compassion, and a love for liberty. The correspondence between the composer Robert Frobisher and Sixsmith depicts the plain beauty of love as well as any film I have seen, as do tender moments between the central characters of the portion of the film set in the futuristic New Seoul. Even in the blatantly comic segment with Jim Broadbent as the publisher, a deep passion for freedom and human dignity shines through.

All the actors do a great job in their multiple roles. You can care for Tom Hanks one moment as a villager in a future Hawaii, and then revile him in the next scene where he plays a truly despicable doctor. The best performances are given, however, by Doona Bae and Jim Broadbent. I think they surpass all the rest. Bae plays a "fabricant", a kind of clone designed to serve humanity. Her gradual awakening to her own self-worth, to the subjugation of herself and of her people, is beautifully and movingly conveyed. She is heartbreaking in this role. Broadbent is equally excellent as the publisher Cavendish. His expressive face and popping eyes are ideal for comedy – and he's hilarious. But he's more than that. Broadbent infuses the character with a sense of sorrow and weariness at key moments. Cavendish has depth, a history, regrets from his past. Broadbent brings all this out brilliantly without losing his comic touch.

Everything in "Cloud Atlas" comes together to create a film I found thought-provoking and highly entertaining. I don't hesitate to recommend it.

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