Dead Man Down

2013

Action / Crime

432
Rotten Tomatoes Critics - Rotten 38%
Rotten Tomatoes Audience - Spilled 47%
IMDb Rating 6.5

Synopsis


Uploaded By: YIFY
Downloaded 256,967 times
June 24, 2013 at 6:54 pm

Cast

Colin Farrell as Victor
Noomi Rapace as Beatrice
Dominic Cooper as Darcy
Terrence Howard as Alphonse
720p 1080p
871.27 MB
1280*536
English
R
English
23.976 fps
1hr 58 min
P/S 4 / 46
1.85 GB
1920*800
English
R
English
23.976 fps
1hr 58 min
P/S 4 / 12

Movie Reviews

Reviewed by GoneWithTheTwins 5 / 10

A fascinatingly grim look at revenge and, less commonly, the aftermath.

The revenge genre is often a tired one. The majority are either so sullen that they lose sight of what makes these fantasies entertaining or too silly to offer any glimpse of realism or consequence. "Dead Man Down" offers just the right amount of grittiness to be taken seriously, but also maintains its own identity with a heavy focus on character development and a more philosophical viewpoint on the nature of getting even. The vengeful gangster and his plight may be a repetitive backstory, but the cryptic structuring, attention to emotion, and competent acting strengthens the refreshingly fluctuating twists. While the conclusion digresses into a prosaic, albeit satisfying action sequence, it doesn't dilute the antiheros' uniquely warped relationship or their infectiously harsh personalities.

When crime lord Alphonse's (Terence Howard) men begin turning up murdered, along with enigmatic clues elaborating on the responsible party, the gangster looks to his henchmen Victor (Colin Farrell) and Darcy (Dominic Cooper) for answers. But Victor has his own plans, including a labored revenge scheme against those that wronged him in the past. As he steadily brings his complex machinations to fruition, he starts an unlikely relationship with his neighbor, Beatrice (Noomi Rapace), an emotionally damaged woman with desires just as ominous as his. Forced into a vicious cycle of vengeance, Victor must attempt to not only satisfy his demons but also salvage the soul of his newfound companion.

Adorned with an impossibly generic title, "Dead Man Down" is unexpectedly an absorbingly unique revenge fantasy. Devoid of the typical action, adventure, and beauteous damsels-in-distress, it is instead a morbidly dark, fascinatingly grim look at revenge and, less commonly, the aftermath. The emotions experienced by the hateful, the murderous, and the defensive are scrutinized beyond the normal array of purely evil entities undergoing deserved comeuppance. Nothing is black and white in the film – instead, every character is tinged with complications and questionable qualities, making this group of antiheroes unpredictable, sympathetic, or repugnant in alternating turns.

It's rare to see a crime thriller spend so much time on character development. It's also quite welcome – the ulterior motives, extortive attitudes, and sabotage aren't awkwardly spontaneous but rather sensible operations for generously analyzed mentalities. These aren't cardboard cutouts; and excessive dialogue doesn't make up for lack of substance. Instead, director Niels Arden Oplev opts for prolonged, brooding facial communications that convey much more than stale words. It's a feat for Farrell to be so convincing as an implacable gangster (his best role since "In Bruges") and Rapace is sensational as an equally bitter survivor who literally wears the scars of mental anguish on her face. Howard is one of the few weak spots, once again taking a sinister role and making it apprehensive. And although the climax embodies the raging, explosive visualization of suspenseful retribution that audiences crave (a contrasting culmination for the sake of crowd-pleasing action), it's the contrived satisfaction "Dead Man Down" needs to soften the blow of such a severe, serious series of retaliations.

- The Massie Twins (GoneWithTheTwins.com)

Reviewed by carrot_and_potato_cooker 10 / 10

lemon chicken

In the seemingly police-less gangland, Dead Man Down takes you through a labyrinth of visually distinct fascinating characters in an existential approach to both the dilemmas of revenge an their consequences. The action is not superfluous and hollow, but done in a way where each beat is well orchestrated with both real purpose and visual panache.

Through the "doll like" character Beatrice and her adjacent complex neighbor Victor, this film manages to portray an engrossing romantic angle highlighted by its believability through the shear awkward yet genuineness of their interactions. After the tonal shift of the reveal there becomes a form dark energy of rapidness that engulfs them. The eyes of Beatrice become dark and manic, full of pain, culminating in an iconic car sequence of dizzying passion.

Alphonse is a very convincing crime lord at the edge of his mental ropes. In a certain scene you can see the instability as his character while he sits in the shadows eying Victor like a shark as he walks into the frame. An effective rendition of a classy character in command after working their way to the top having to once again become savage in order to remain atop his hill. With his main goons we have Killroy the seven foot tall muscular man with the deep booming voice, Terry the skinny tattoo covered man, and Darcy the smart friend of Vicker who becomes the scariest character in his on right.

This film has the pacing and build like an old crime film, complete with dramatic emotionally spilling performances down to its very ending note. The dialog and characters are so fascinating that when the violence begins occurring you generally care about them. The message is not one glorifying revenge as many films succumb to, but one showing the results of their outcome, which the film has many variations of each character must deal with on their own. This film is an original Neo Noir and a complex brooding character piece strung together with the dazzling imagery of humanity and laced through fragile ephemeral happiness. The kind of film that has become a rarity at the box office. Fantastic performances all around.

Reviewed by msia91 7 / 10

American Neo-Noir meets romantic European fable

He looks out the window in the night sky after a long day's work, thinking of what has become of himself. Across his apartment balcony, in the window of the building opposite his, stares a woman, solemn, pained. Their eyes meet, and, slowly, they wave at each other. Not a word was spoken.

Subtle scenes like these evoke memories of the raw power of film - it is emotion, not words or sometimes action - that drive a motion picture. Thing is, Vic is a thug working for a ruthless mobster; and Beatrice is a traumatized victim of a car accident. The subtlety will not last long, but it does make healthy re-appearances.

Niels Arden Oplev's "Dead Man Down" is the English-language debut (third this year overall following two Korean efforts) of the Swedish filmmaker famous for the original "Girl with the Dragon Tattoo" film. He even brought along his star Noomi Rapace for the ride. It is a joy to see a modern filmmaker who cares for and loves his characters as much as the audience expects themselves to, that we are invested in them strongly and want to see them succeed. He crafts the film with love, as the cinematography gracefully dances around the characters, as if it was a complex ballet intrigue and hidden motives. Do we really want to right that wrong? Will it be worth it in the end? For us and for our loved ones?

The movie is, first and foremost, a revenge thriller. But surprisingly, it is also a compelling love story. From the moment the film opens we are thrust into the urban jungle of New York City (accentuated with a moody and atmospheric score by Jacob Groth, composer of the original "Millennium" trilogy), but with a poignant yet meaningful statement by Vic's friend Darcy (Cooper). Writer J.H. Wyman uses strands of earlier revenge films, twisty film-noirs and the classic melodramatic romance of earlier Hollywood films and incorporated them into his screenplay. Oplev transforms the screenplay, with such passionate energy and inventiveness, that the whole film somehow resembles a classic romantic European fable - sort of like this big tough warrior who falls in love with a wounded soul in a far-away and dangerous land, and both become kindred spirits. It is engrossing and captivating to watch the characters actually become real human beings, instead of being caricatures. This is a film where the characters' decisions affects what happens next.

The film would not succeed had it not been for the two leads, Colin Farrell and Noomi Rapace, followed by a strong and diverse supporting cast. Farrell is strong as Vic, big, tough but withdrawn and solemn, slowly hiding away his anguish and rage towards his real enemy. Rapace, an actress whom I'm starting to grow fond of, is quite wonderful as Beatrice, who is traumatized but is still capable of captivating the lonely Vic. She walks and talks with unease, but there are times where she switches gears and becomes intensely aggressive in her true goal, where it will reveal is eating her up slowly but surely. The strong chemistry between the duo make the movie much, much better than it was intended.

The rest of the cast consists of Terrence Howard as a deliciously ruthless and intimidating as the villain Alphonse (watch the scene where he confronts Vic in a dark apartment room, with backlighting in Paul Cameron's cinematography brilliantly capturing the essence of noir), Dominic Cooper giving Darcy a human and realistic portrayal of a stock crime film character, and brief but warmly welcome appearances of F. Murray Abraham and Isabelle Huppert.

This is a movie which has something for both guys and gals. Guys will go for the gritty story and the obligatory "Colin Farrell kicks ass" scenes, especially the violent climax. Women would go just to see Farrell the romantic, and the compelling chemistry between the two leads are enough to make them swoon over. But the film is so well made, the characters and story strongly developed and very compelling enough to hold my attention for two hours, that really, you couldn't ask for a more well rounded revenge thriller of late. This is a movie which actually is a real movie, instead of feeling like a movie or being a commercial/stunt/SFX reel. Kudos to especially Oplev, Farrell and Rapace for making a strong, real film about lovable characters.

No doubt the marketing for the film is way off (as an action thriller, as usual) and reveals quite too much. Doesn't matter. "Dead Man Down" is the finest and most meaningful revenge film in years.

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