Prometheus

2012

Adventure / Mystery

350
IMDb Rating 7.0

Synopsis


Uploaded By: Bokutox
Downloaded 172,688 times
September 21, 2012 at 7:05 am

Director

Cast

Noomi Rapace as Elizabeth Shaw
Logan Marshall-Green as Charlie Holloway
Charlize Theron as Meredith Vickers
720p 1080p 3D
800.95 MB
1280*528
English
R
English
23.976 fps
2hr 4 min
P/S 10 / 28
1.80 GB
1920*800
English
R
English
23.976 fps
2hr 4 min
P/S 48 / 135
1.90 GB
1920*1080
English
R
English
23.976 fps
2hr 4 min
P/S 2 / 9

Movie Reviews

Reviewed by BJBatimdb 1 / 10

Where no idiot has gone before

Prometheus is the story of a trillion-dollar mission to discover the origins of human life on a distant planet. Basically, this is supposed to be the greatest exploration undertaken in the history of mankind.

So who do they send? A gaggle of fractious goons whose collective scientific nous is rivalled only by that of the Three Stooges. Within minutes of touching down (conveniently beside the only 'man-made' structures on the planet, a'la 1960s Star Trek) the 'scientists' are yanking off their helmets, on the basis of 'it seems fine to me', dipping their fingers into strange organic ooze, and lugging a severed alien head back to an unquarantined spaceship in a sandwich bag.

Once there, they speedily discover the meaning of life. Then, while one of them gets a bit drunk, his two female companions decide it would be useful to stimulate the head electrically to reanimate it. They don't say why. They give it a bit too much juice, then too little,then dither over too much or too little like a couple of schoolgirls fiddling with a dicky bunsen burner, while the most important scientific discovery in human history waggles its ears and rolls its eyes - before eventually blowing up like a frog in a microwave.

Are the scientists abashed? Is the man angry? Do they all calm down and remember they have degrees in clever things, not diplomas in macrame? Do they heck.

The WHOLE MOVIE is a litany of ludicrous so-called science, schoolboy errors, and pseudo-profundity about the origin of species. Ironic really, when none of the crew would have a chance in hell in any sort of contest governed by Darwinian rules.

Crass stupidity is rampant in every department. Hi-tech helmets record every heartbeat - apparently until anything worth recording happens; stranded crewmates are abandoned to their fate in favour of a quick shag, and the spaceship door is opened to anyone who comes a-knocking. Although, after hitting the 'welcome' button, Idris Alba does do a double take and go 'Hold on a second!' but that might have just been an involuntary ad lib at his own character's baffling idiocy.

There is spectacular cinematography and effects, but not one iota of originality has been squandered on plot, subtext, tension or characters - which are as shallow as the Prometheus's muddy little gene pool.

Ridley Scott is a hero of mine, but Prometheus is not the intelligent, emotionally satisfying prequel that Alien deserves. It's a derisory, empty experience - and anyone who loved Alien is surely too old and too smart to be fobbed off with something this bad just because it's shiny.

Reviewed by kevinhayward 1 / 10

Muddled, boring and lacking tension. (possible spoilers)

I saw this at a midnight preview and I was really looking forward to it. I'm a big fan of Alien, but I was really disappointed; this is a bloated mess.

In Alien, the creature presented an abstract threat to earth but the plot centered on the immediate, physical threat to the crew. In Prometheus, the threat is purely abstract and while SOME bad stuff happens to the characters, they are all unsympathetic so it is difficult to care. Characters are established with simplistic dialog; this is the cool black guy, this is the incautious explorer, this is the obnoxious mercenary cyberpunk (who, for no reason, is also a scientist), this is the uptight corporate type.

The scientists don't behave like scientists, they don't talk like scientists. The nerdy biologist (who has to walk off to be monster fodder later), walks away from an alien corpse because it's not his field of interest. Huh? Archeologists suddenly turn into medical experts and people exploring an alien ecosystem for the first time remove helmets without regard for contamination of the environment or themselves. Often, the only justification for character actions seems to be to set up later plot points.

Alien worked because it focused on believable characters stuck in a terrible situation, without that believability the film would be greatly lessened. Prometheus, lacking that, is uninteresting.

Prometheus puts me in mind of Avatar. The use of 3D is excellent and the art direction is amazing. However, as with Avatar, technical excellence cannot make up for a terrible plot, sub-standard characterisation and meaningless dialogue.

Reviewed by michael-albertsen 3 / 10

Ridley Scott forgot everything about great movies except for the craft

I'm really sorry, but this a major disappointment.

No, I didn't expect miracles or something close to the original Alien. I've been following Scott for 30 years - and it's clear that he has been on the decline since Gladiator and Black Hawk Down.

I liked a few of his later movies like A Good Year - but most have been rather flat and uninspired.

One thing I've noticed, is that he's gotten increasingly complacent with his own "point of view" in terms of historical facts and how things work in reality. It's like he has a complete disregard for plausible motivations or factual information about how things work.

Case in point - there's a scene in the movie where a certain character has to have an operation performed on her body - and it involves slicing directly through the skin and muscle-tissue of her abdomen. After the procedure, she's simply "stitched together" by metal clips in like 3 seconds - and with a bit of local anesthetic, she continues to move and jump about with some moaning. Ehm, you CAN'T have any kind of normal movement with your muscle tissue completely severed - and there was absolutely no healing involved. Just one of a series of ridiculous events.

The plot is entirely juvenile and cliche stuff with "profound" questions like who created us. For some reason, the beings who created us also want to kill us - and it seems to involve incredibly elaborate genetic engineering that also happened to kill most of them in their remote "lab facility". They're CLEARLY much more powerful than we are - and they could just bomb the hell out of us, or do it in a thousand simpler ways. But no, they seem to want to utilize excessively elaborate and dangerous genetic modification or infestation - that they can't even control.

They also like to record recent events with some kind of holographic recorder device that is unable to render clear images, only some cool ghostly images that I bet Scott loved to play with. But they're quite flexible in how they let you play recordings of their security procedure - so you can access their systems without effort.

Characters are void of personality and growth, they're REALLY stupid - and they like to freak out for no reason, and they like to stay calm and playful when there IS a reason - like when encountering a nasty looking cobra-worm - an alien - for the first time in history.

Among these faceless people - we have some willing to gleefully commit suicide by ramming an alien ship, because they like their captain, and they're required to do so because he "can't fly worth a damn" - despite him being the primary pilot hired by a billionaire to do nothing but fly the ship.

We have a religious scientist who concludes that she's found our creators, based on: "It's what I choose to believe".

Then we have the very same religious scientist look at an alien "head" they brought back - and she notices some strange growth on it. She then spends 2 seconds thinking and concludes that this is obviously some kind of "foreign cells" (impressive deduction, I must say) - and she decides to stimulate the cells with electricity - just to see what happens. No research - no caution - no nothing.

We have people who decide to open the door to their ship, seemingly with no thought process, despite having just faced complete chaos by extremely hostile alien forces - because one of their crew mates seems to be lying in front of the door. This while other crew mates have just been taken over by some kind of alien infestation.

Then we have the boyfriend of said religious scientist (a douche) who decides that the air in an alien environment is safe to breathe because his device tells him it is - and he immediately removes his helmet. A classic Hollywood scientist moment, and clearly there's no need to worry about biological contaminants in a place like that.

This movie is FULL of this kind of utterly implausible behavior and random decisions.

It has a couple of "for effect" gore scenes - but Scott manages to include ZERO tension along with them. As a result, they're mildly disgusting - but they have no lasting effect whatsoever.

The "aliens" that are a part of this movie all look like plastic - because of overly smooth and pale skin. They look like Lovecraft creatures without a much-needed paint-job.

We have a horribly predictable, pointless and wasted twist involving Guy Pearce and a certain other cast member.

We have an android, well-acted by Fassbender, who seems to be fully random in his decisions and motivations. Few actions made sense in any context - not to me anyway.

The music was overwrought and didn't fit with the mood of the film, and it seemed like one theme being repeated endlessly. A surprise, given Scott's usual flair for good music.

I think Lindelof is a complete and total hack - who only got the job because he was the "yes-man" who could match Scott's ego. This is pretty obvious in interviews - where Lindelof always manages to publicly kiss Scott's behind.

1 Star for Fassbender's performance.

1 Star for the amazingly detailed visuals.

1 Star for how the above combine to form the excellent beginning.

Now, it's just a matter of leaning back - musing over a thousand different people coming up with a thousand different explanations - each being the "correct" interpretation of this deep and thought-provoking masterpiece.

Going by the IMDb rating, I can do nothing but stay mesmerized by how efficient it is to rely on the "Emperor's New Clothes" effect and let hype do the rest. Stay real Scott, Lindelof and Hollywood.

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