The Gold Rush

1925

Adventure / Comedy

76
Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 93%
IMDb Rating 8.3

Synopsis


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October 2, 2011 at 1:44 am

Cast

Charles Chaplin as The Lone Prospector
Mack Swain as Big Jim McKay
Tom Murray as Black Larsen
Henry Bergman as Hank Curtis
720p
499.38 MB
960*720
English
Not Rated
23.976 fps
1hr 12 min
P/S 8 / 47

Movie Reviews

Reviewed by ACitizenCalledKane 10 / 10

Possibly Chaplin's best film, certainly one of the greatest comedies of all time!

To see Charlie Chaplin's The Gold Rush is to know enjoyment. One cannot help but enjoy a film as well-done as this! Chaplin said that this was the film for which he wanted to be remembered, and I can see why. It is a masterful blend of comedy, drama, and romance, among other genres seamlessly brought together in one extraordinary picture. Like all great movies, The Gold Rush has more than its share of memorable moments, from the Thanksgiving dinner to the dance of the dinner rolls to the cabin teetering on the edge of the mountain. All of these scenes are brilliant because of The Tramp's flawless physical comedy. He was a master of comedic timing, and he was one of the most graceful physical comedians I've ever seen. Don't get me wrong, this picture is not just three fantastic scenes amongst filler. The film moves along at a brisk pace, following the misadventures of our hero, The Lone Prospector (Charlie Chaplin, of course), as he attempts to hit it big by discovering gold in Alaska. Along his journey through the elements, the prospector meets the notorious Black Larsen (Tom Murray), a wanted criminal willing to do anything to get his hands on some gold. Fortunately, our friend also comes across a fellow prospector, Big Jim McKay (Mack Swain), who has finally defied all odds and struck it rich. But the Lone Prospector's adventures take place not only out in the middle of nowhere. When he is forced back to civilization, he falls in love with Georgia (Georgia Hale), the most beautiful girl in town. Of course, it would be all too easy if no one else was interested in this beauty. Jack Cameron (Malcolm Waite), the handsome lady's man who is not content with every other woman in town by his side; he must have Georgia, as well. Competition arises between the disappointed prospector and the ego-maniacal "lady killer." All of this would be too much for any one of us, but the Lone Prospector handles it all with his uncompromising resilience in the face of insurmountable odds to bring us one of the greatest comedies of all time! I will not lie, I am a fan of Charlie Chaplin's movies, but as objective as I can possibly be, this IS one of the great movies...Essential viewing!

Reviewed by PhilipJames1980 10 / 10

Gold is the operative word here.


The Gold Rush is pure gold. It was Charlie Chaplin's third feature-length film, and marked his comeback of sorts following A Woman of Paris (1923), which he had directed to great critical acclaim but which had been unsuccessful at the box office because it lacked his signature character The Little Tramp.

This movie should be counted among Chaplin's best and most enduring works; many people name City Lights (which I've also seen) as THE best Chaplin movie, but The Gold Rush is still an excellent showcase for one of movie comedy's immortal geniuses.

Having first seen this movie years ago on TV, I saw it again in October 2003 as part of my college's silent-film class, on a poor-quality videotape that often prevented the other students and I from laughing at it because we could barely discern what was happening on the screen.


Even so, I was sufficiently intrigued to buy the GR Chaplin Collection DVD, which has a restored silent version of the film that is so good I haven't even bothered to watch the 1942 sound version that's also on the disc.

The viewing quality of this restored silent version is excellent, although certain minor details are still hard to see, such as the faces of the cards drawn by the Tramp, Jim McKay and Black Larsen as they try to determine who should go out into the blizzard. On the other hand, in the shot of the cabin teetering on the edge of the cliff, the viewing clarity makes clearly visible the wire used to pull the model cabin farther over the edge!

Also, the film seems to skip in the scene when the Tramp dances with Georgia, perhaps due to a transfer problem with the DVD. But these are minor complaints, and certainly the restoration allows for full appreciation of the film.

The first half-hour of The Gold Rush is in itself worth the purchase price, as it contains some of the funniest scenes I've ever seen in any movie. Even the throwaway bits, such as the Tramp trying to use a crude hand-drawn compass, are more genuinely funny than the extreme gross-out gags offered by most contemporary comedies.

And the shoe-eating scene is so famously funny that even people watching it for the first time may feel that they've seen it already: this is in no way a bad thing, but merely reflects the fact that the best silent films long ago entered into the collective memory of our culture.

I don't say this to sound pretentious. I believe that because Chaplin had such influence on the development of movie comedy, that to a certain extent people today may take him for granted. It's hard to approach his work with fresh eyes only because so many people have watched his movies for so many years.

For example, before the success of The Kid (1921), Chaplin's first feature film, the movie industry doubted that audiences would accept a film that blended comedy and drama. In The Gold Rush, Chaplin further explored cinema's potential to be comedy and drama simultaneously. Only he could have distilled humor from scenes of starvation and struggles to survive the ravings of a madman.

The joy of watching this film today stems from seeing how well Chaplin, as both star and director, finds and maintains the right tone and style for his work, negotiating the fine line between comedy and tragedy. This is most evident in the scene when McKay and Larsen struggle for the shotgun in the cabin and the Tramp tries desperately to escape the muzzle's aim: the sequence is undeniably hilarious, yet even today the Tramp's grim predicament is just as likely to horrify the viewer.

One pleasure of silent comedies such as The Gold Rush is that the lack of a soundtrack leaves more to the imagination, in the same manner that old-time radio comedy got laughs from funny sound effects that showed the audience nothing.

When Black Larsen sees the Tramp in the cabin, for example, he enters and slams the door, causing the Tramp to spin around in alarm. This is the kind of joke that could only work in a silent movie, because no door-slamming sound effect could be quite as funny as the piano score imitating the noise, as rendered by Neil Brand on the DVD.

The second act, in which the Tramp gives up prospecting, returns to town and becomes infatuated with Georgia, was probably inevitable, as Chaplin realized he couldn't sustain the entire film at the cabin. Still, he must have drawn much of his inspiration from that one location, because he returns his characters to the cabin in the film's third act.


I don't want to spoil the climax for anyone who hasn't seen it, but I believe that even today it remains one of the most vivid depictions in cinema history of man versus the elements, and Chaplin milked all its potential for comedy and suspense.

Mack Swain is hilarious as Jim McKay, creating a memorable comic image with his ridiculously small boots and high-domed fur coat. Chaplin generously gave him some opportunities to be funny on his own in this film, just as he was content to let Jackie Coogan share the spotlight in The Kid. From what I've seen of City Lights and Modern Times, he was not so generous in his later films, seeming to think that he himself was the whole show.


The Gold Rush may not be a perfect 10 compared to today's more sophisticated stories and special effects. The ending is cheerfully cynical, improbably reuniting two characters and never revealing Georgia's true feelings for the Tramp.

But the bottom line is that The Gold Rush is still funny after almost eighty years, and that's a feat few comedies in any year can ever accomplish. Chaplin, in his ability to extract maximum humor and poignancy from his material, has no equivalent today. What a shame.

Rating: 10 (One of the best movies of 1925.)

Reviewed by didi-5 8 / 10

Little Tramp makes good

Charlie Chaplin's silent film (also re-released with a narration in the early 1940s) focuses, as usual, on the Little Tramp, and in this case, his attraction to a chorus girl (Georgia Hale). This is the one where he eats a boot, along with its laces, and manages to make it appear a sumptuous meal; as well as creating a dance with bread rolls.

The role of the girl was originally intended for the second Mrs Chaplin, Lita Grey, but her pregnancy ruled her out. Georgia Hale is excellent in her disdain of the unwanted Tramp attentions. Mack Swain appears as Big Jim, who shares a cabin with the Tramp, at one point getting so hungry he imagines his pal as a chicken ready to eat! This film has the spirit of the pioneers and gold-runners, as well as the inimitable spirit of the little hero. As a silent it is one of the best comedies of the time, as a sound film, it is fairly good.

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