To the Wonder

2012

Drama / Romance

134
Rotten Tomatoes Critics - Rotten 45%
Rotten Tomatoes Audience - Spilled 38%
IMDb Rating 6.0

Synopsis


Uploaded By: YIFY
Downloaded 68,344 times
June 15, 2013 at 6:59 am

Cast

Ben Affleck as Neil
Olga Kurylenko as Marina
Javier Bardem as Father Quintana
720p 1080p
816.40 MB
1280*544
English
R
English
23.976 fps
1hr 52 min
P/S 10 / 33
1.65 GB
1920*816
English
R
English
23.976 fps
1hr 52 min
P/S 14 / 56

Movie Reviews

Reviewed by themissingpatient 4 / 10

Wonderful visuals don't make a good story

TO THE WONDER is the new film from master writer/director Terrence Malick. The story begins with Ben Affleck's character, Neil, in Paris where he falls in-love with a single mother named Marina, played by the beautiful Olga Kurylenko. Neil brings his new love and her daughter, Tatiana, back home with him to the United States. When Marina's visa expires and Affleck's character is reluctant to marry her, Marina and her daughter return to Paris. Neil begins spending his time with a childhood friend, Jane, played by Rachel McAdams. However Jane is a woman of great faith, a faith that Neil does not share. Back in Paris, Tatiana leaves to go live with her father and Marina becomes depressed, longing to return to the US to try to work things out with Neil. It is at this point that the story falls apart.

It's impossible not to compare TO THE WONDER to THE TREE OF LIFE simply because the two films are shot in the exact same style. Beautiful shots and gorgeous cinematography accompanied by a classical score and poetic voice-overs from the characters. The Tree of Life was and is not only a masterpiece, but one of the greatest films to ever be made. I thought maybe To The Wonder was a little too soon for another Malick epic but I do not believe that is the case as far as why this film fails.

The two characters I felt for and wanted to see more of was Javier Bardem's Father Quintana and Rachel McAdams' Jane. Here we have a priest struggling in his relationship with God and a woman who has suffered through the grief and loss of a child, yet has found a way to continue living in harmony with great faith. These highly interesting characters are under-used as the film focuses more on Neil and Marina, who by the end of the film, we begin to hate.

The actors do not help the film tell it's story, it almost seems like they walked on-set without a script and improvised their parts. In Tree Of Life we had Jessica Chastain, Sean Penn and Brad Pitt giving the performances of a lifetime, not through dialogue, but simply through facial expression, movement and body language. There wasn't a need for scenes of dialogue, the story was understood. With To The Wonder, I was craving a scene of dialogue towards the end. I didn't want to believe Affleck and Kurylenko's characters were as shallow and selfish as they seemed, I wanted and felt I deserved to know more about them and why they continued to struggle. Why are they so frustrated and angry?

No matter how abstract or convoluted a film is, I've never had an issue coming to some sort of an understanding and usually, the more a film leaves open for me to interpret myself, the more I respect the film. However, To The Wonder leaves us with two characters we no longer have any reason to care for and the film gives us no way to understand or relate to them in the end.

Reviewed by Marcelo Perrucci 1 / 10

Whispers and pretty images DO NOT make a movie!!!

This is a great movie ..... FOR SELLING TVS!!! I cannot find any other good use for this excuse of a movie.

I'm not kidding, in a point of the film, they run out of landscapes footages and they throw some TURTLES at us! SERIOUSLY?!?! I mean, what does the poor turtle has to do with anything? I just hope the turtle's payment was at least as big as Ben's, because they get about the same number of lines. Or should I say whispers.

That's another thing in this movie that is incredibly annoying: there are no dialogues! Only some random whisperings.

The Tree of Life was bad, but To the Wonder takes it to a whole new level of badness!

Summary: "I love you." (silence) "Let's get married." (more silence) "I need a visa." (Guess what? More silence) Then she leaves. There is also a random priest going through some middle age crisis.

And they make it goes for 2 hours by adding a bunch of Nat Geo footages.

Just a final comment: PLEASE, IF YOU DIDN'T GET THE MOVIE, IT DOES NOT MEAN IT IS A GOOD OR A CULT MOVIE! I don't know how anyone can give this movie a 10. It's like "I've no idea what the movie was about, so it must have been good." or "if I say I didn't get it, people will think I dumb."

And I don't respect who give it a 5 by saying "the story deserves a 0, but it is so pretty that I will give it a 5". They are saying that no matter what you throw at then, if it is mixed with some 'LED TVs add material', it deserves at least 5.

Reviewed by john williams 1 / 10

Unbearable

I have always wondered about people who give one star reviews. Is it for the extra attention? Is it a joke? Can a movie really deserve one star?

Well finally I have seen a movie which simply does not permit me to give it any more than one star. A movie that has prompted me to create an IMDb account and write this review so that other cinema goers do not have to share the mind numbing agony of my experience.

My woes stem from the fact that "To the Wonder" seems to be an experiment into expressing nothing but the emotions of love and loss. Initially this seems a noble cause, but it comes at the expense of plot, dialogue and even character development. So if you sit through the first 30 minutes thinking "I wonder if anything is going to happen?", sadly the answer is "no".

There seems to be the assumption that an audience can share in the on screen emotion without ever being given access to the motivations and events which led to them. It is like watching The English Patient and trying to understand Ralph Fiennes' emotional turmoil without being shown the flashbacks of his life before hospital. So without any narrative or dialogue, the poor actors are left trying to convey their emotions by looking gloomy (as Ben Affleck does for the entire movie) or by performing pirouettes and looking wistfully into glinting autumn sunshine (for Olga Kurylenko).

If you are a huge fan of the back of Ben Affleck's head, you'll love this movie. For me the only enjoyment was in the irony that a film about emotion should be so emotionally uninvolving. That and the joy of seeing the end credits finally roll, upon which I punched the air and shouted "Yes!" This is something I have never felt the need to do before in a cinema, and it certainly surprised my wife (who looked mortified). I didn't care. This film marked a new found level of tedium, so extreme that it should probably be reserved for Guantanamo Bay. One star tedium? You bet.

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